Wyetta Bontempo's Concerts

Chamateia – Auditório da Madalena Oct 11, 2025

Terry Cordas called on the women to close out the 10th edition of the Cordas World Music Festival with a very unusual edition of “Chamateia” (composed by Luís Alberto Bettencourt e António Melo e Sousa), that featured 6 different types of instruments. It was such a pleasure to work with Joana Alegre (Guitar), Monica Guilart (Portugûes Viola dos Corações), Maija Kauhanen (Finnish Kantele), Daniela Dahmen Quintas (violin), and Lu Yanan (Chinese Pipa). Chamateia is a majestic song that was written about the Azores, and everyone native to the islands has sung the song at least 1,000 times. But, this was the first time that it was ever performed with foreign instruments, and I think that it is safe to say that this was the first time that a Chinese Pipa, Indian Sarod or Finnish Kantele have ever appeared on stage together. It was indeed a unique rendering that left me with a permanent soft spot in my heart. What a great idea Terry! Thank you for suggesting this.

Chamateia Auditório da Madalena (Oct 11, 2025) Photo courtesy of Pedro Silva

The Portugal News Article on Chamateia Performance

Lyrics to Chamateia
(composed by Luís Alberto Bettencourt e António Melo e Sousa: Translated into English)

In the cradle that the island holds
I drink the rhymes of this song
In the high sea of this land
Nothing the reason for my tears

But in the courtyard of life
Dinner serves as supper
And even the most felt pain
Gives way to the ‘chamateia’

Oh my love
Oh ‘chamarrita’
My solace, back and forth
I will embark on this dance
Tap dance, oh my love

If tap dancing doesn’t
Calm my restless soul
I’m up for whatever comes
In the turns of the ‘chamarrita’

‘Chamarrita’, tap dance
I want to contradict
The grip of this mist
That sometimes wants to overcome me

Wyetta Bontempo's Concerts

Sarod at Museu do Vinho Oct 9, 2025

By the ninth day of the Cordas World Music Festival, everyone involved was on what some called “Hora de Ilha” or “Island Time”. It was hot that morning, and the clouds passed by quickly. One moment it was drizzling rain. The next the sun shone down. The humidity was relentless. I found myself sweating in my clothes before I departed my hotel room.

The Museu do Vinho (Madalena, Portugal) was a special space to offer a concert. The Museu is nestled within a former vineyard containing lots of small volcanic stone cubicles (very common on Pico Island) and quite a few ancient Dragoneira (Dargon’s Blood Trees). The stone building is small and old and most participants sat on the hardwood floor for the performance. On the walls were posters about growing grapes on the Azores, the history of Vinho Verde, and how to make wine from grapes.

Although 12:15 was technically afternoon, it was clearly still morning for everyone in attendance. I think that the erratic changes in weather had prompted me and others to feel a bit of an unsettled feeling that morning. Asavari called to me, so I offered it in hopes of bringing some peace and solemnity to those in attendance. Many thanks to Terry Costa and for this Opportunity!

Next Session: Cordas World Music Festival (Pico Island, Azores, Portugal) Chamateia – Auditório da Madalena Oct 11, 2025

Wyetta Bontempo's Concerts

Sarod at the Biblioteca da Maladena Oct 2, 2025

I can’t thank Terry Costa enough for the opportunity to be an artist in residence for the 10th Edition of the Cordas World Music Festival, on Pico Island, one of the 9 islands of the Azores. Cordas means “strings” in Portuguese, so this was a stringed instrument gathering. In honor of the 10th edition, there were 10 days of music offered by musicians of all types, and I was honored to be a part of it.

My performance began at around 19:00 at the Biblioteca de Madalena (Library). As usual, I sat on the floor and was both physically and emotionally humbled by the audience seated in chairs in front of me. I was surrounded by posters explaining the history of the various ‘violas’ indigenous to the Azores, amongst them a poster honoring Miguel De Braga Pimentel, the great teacher of the Viola da Terra. The Legislative Assembly of the Azores had declared that Oct 2, 2025 was the Day of Viola Da Terra.

Wyetta Playing Sarod Biblioteca da Madalena (Oct 2, 2025) Photo: Courtesy of Pedro Silva

Given the time allowed, I offered a short rendering of Megh, hopefully enough to have shed some light on the magic of the humidity typically found in the Azores and the capacities of the sarod itself. To the best of my knowledge, this was the first time that a Sarod concert has ever been played at Cordas or on the Azores. I am honored to had this opportunity.

The Portugal News Article about the Biblioteca da Madalena Performance on Oct 2, 2025

Filamentos Article about the Biblioteca da Madalena Performance on Oct 2, 2025

World Music Central Article about Wyetta’s Performance on Oct 2, 2025

Wyetta on Sarod Biblioteca da Madalena Oct 2, 2025

Next Session: Cordas World Music Festival – Museu do Vinho (Pico, Island, Azores, Portugal) October 9, 2025

Wyetta Bontempo's Concerts

Sarod in Tavira, Portugal – Sept 17, 2025

The next highlight moment came during a private concert that I offered in Tavira, Portugal in an apartment that was very typical of the architecture of the Algarve (Southern Portugal). The floors were tiled, and the walls were white plaster with tile interspersed throughout. While tuning up, I noticed how “active” the space sounded, and my hostess commented on the influence that the Moors had on the world renown tile tradition, called Azulejo, of Portugal. The Moors entered Portugal in the south near Tavira, and their influence can be seen in many spots in town.

The Indian music that I play (called Dhrupad) has a loose historical connection to Islam and many of the famous players of the sarod were Muslim. Although the music of the Moors and Dhrupad evolved separately, I found there to be a profound connection in the way that my sarod sounded in a space made up of Moorish tile, the same type of tile found in the Muslim temples of Pakistan, West Bengal, and Bangladesh.

I offered Yaman. The walls and floor reverberated in a way that I can’t quite explain. Let’s just say that my sarod had found a happy place.

Next Session: Cordas World Music Festival – Biblioteca da Madalena (Pico, Island, Azores, Portugal) October 2, 2025

Wyetta Bontempo's Concerts

Sarod in Tamera, Portugal – Sept 7, 2025

I am overflowing with gratitude for the opportunity to have offered up the soulful healing of the sarod to so many over the past few months. It seemed like every session was a highlight moment only to be eclipsed (intended pun) by the following session.

The first highlight moment was a session at Tamera, a very special intentional community in the Alentejo region of Portugal. Tamera boasts a stone circle containing 96 massive stones and a morphogenic field of love and healing that the community has held with intention for over 30 years. Needless to say, it’s a special place with a vibration that is certainly potent.

I had the opportunity offer a session on the 7th of September during a lunar eclipse. When the session began, clouds hung heavy in the sky. During the rendering of Megh, it rained for a little bit, and after Chandrakauns, we noticed that the moon was out in full glory with not a cloud in the sky. Although we could not see the eclipse in Southern Portugal, I certainly felt it and those in attendance commented on it.

Next Session: Tavira, Portugal September 17, 2025

Wyetta on Sarod Tamera, Portugal September 7, 2025
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Psychological Research on Indian Classical Music

Although it’s been about 10 months since this article was published, its contents are still rather interesting to those interested in psychology and music. One aspect of Indian Classical music is the use of a wide variety of melodic modes. Although there are some ragas (a form of Indian classical music) that use the same mode, it appears as if the ragas used in this study all used different modes.

Emotional responses to Hindustani raga music: the role of musical structure